El Bar.2017.torrent

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El Bar.2017.torrent

El Bar.2017.torrent

Detected quality : DVDRip

Genre : Comedy

Release Date : 25 March 2017

Language : Spanish

Country : Spain

Sinopsys :

El Bar.2017.torrent – If Velázquez was a master of the portrait of the visible and the invisible within the court, Álex de la Iglesia has managed to dominate as few as the art of photographing that pathos so well concentrated in its habitual caterva of repelentes and sordid personages that manage to provoke in the Spectator a feeling and its opposite, all at once, in an extreme and without transition. For an aberrant mirror to reflect something, there must be something to reflect, and if De la Iglesia films El Bar are excessive and hyperbolic, they are also accurate in portraying those human miseries that are as natural as eating, sleeping, and fucking. At the end of a life, not even the most upright man gets rid of the stain of pettiness. Even for a nanosecond. It had been a while since the Bilbao director did not get a round movie. A repeated scheme, with a lot of gas at the beginning and ends stretched like gum praying for euthanasia, for clemency. And, finally, it is amended with a thrilling movie from beginning to end, in an exercise heir of ‘The community’ but with the most difficult still, because ‘El Bar’ takes place in an even smaller and even more beautiful space than the Building that made them pass fine to Carmen Maura almost 20 years ago, in which is probably the culmen work of the filmmaker. El Bar, the tavern castiza of the cane and the panchitos, of the currela that is layered for breakfast, of the miniature doses of strawberry or peach jam – greater variety would be vice, place of the communion festive and -more or Less-declassed into a psycho-sociological experiment in the Robber’s Cave style. First was greed, then jealousy and vanity, and now De la Iglesia surrenders to the power of fear as the perfect striker to shoot the human baseness. As Yoda said: “Fear leads to the dark side.” Little socially established conventions matter when it comes to the most animal survival, only one can remain. Nor do they matter the almost familiar ties, or the office in the fiftieth floor of the Space Tower, or a turgid and beautiful neckline, or have a prime minister when it comes to facing the fear of eating or being eaten. Adding, in addition, the injustice of blind chance, because I should not be here, because from injustice are born frustrations and frustrations, hatred, and hatred violence. One day, in broad daylight, a sweeper leaves his breakfast in a bareto in the center of Madrid. Everything seems normal until someone flies his head. “Maybe it was just a coincidence”, El Bar think the rest of the clients, sheltered behind the glass. Maybe he was in a mess. Maybe he deserved it. A second client goes out to assist the victim … and they also blow their heads. It is then, El Bar when bar customers realize that the sniper who is firing is most democratic, when panic spreads. Anyone can be next. The director uses a choral cast led by Mario Casas -which has become his muse-, Blanca Suarez, Terele Pávez, Carmen Machi, Secun de la Rosa and Jaime Ordóñez, who interpret this wide range of prototypical and hypertrophic characters, Of the Spanish society that both like the director. Inside the tavern are the pija of Salamanca, the modern one of Malasaña, the traveler with briefcase, the currito, the stop and the tramp, a series of people that a priori have nothing in common but that in the end they will discover that , Stripped of all accessory, are quite alike. The Church again demonstrates that he is the king of the terror of pathos, where monsters are monsters because they are weak. Filmmaker of postmodernism, has managed to amalgamate with skill Buñuel, Bong Joon-ho – there is much of ‘The host’, but there is also a connection beyond the cinema between two people who share all the similarities that can share a South Korean type and another Of Bilbao-, the Polanski of youth and some residue of the tandem Jeunet-Caro, El Bar when the cinema of these was more twisted, more sensual and infinitely more amusing. And that must be added a good dose of homegrown, no merit. Dialogues El Bar in which the firm De la Iglesia-Guerricaechevarría is always so identifiable – are still fast, witty, and sardonic. The situations, grotesque and surreal. The characters, infinitely damnable – although it ends up saving who ends up saving, and so far can be read. And the technique, as always impeccable and nonconformist: very remarkable that final stretch, with Jaime Ordonez in ecstasy, fired towards an apocalyptic climax. Finally, the director has been able to measure and cut.

Screenshots :

El Bar.2017.torrent

El Bar.2017.torrent

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